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Puppetry refers to the making and manipulation of puppets, figures that may resemble humans, animals, or abstract forms, by a puppeteer using hands, strings, rods, or other devices to enact stories and theatrical performances.

Puppetry is one of the oldest performing arts. A blend of craftsmanship, storytelling, and theatrical illusion, it has served as ritual, entertainment, political commentary, and education across continents and centuries. The art can be appreciated in both the creation of the puppet itself and in the skill of the puppeteer, who seeks to transform puppets into characters that can evoke laughter, fear, empathy, and wonder.

Archaeological and literary evidence suggests that puppetry predates written drama.

In Egypt, wooden figures operated by strings or rods have been found in tombs from the Middle Kingdom (2030-1650 BC), probably used in religious ceremonies.

In Greece, the historian Herodotus described nevrospastos (drawn by strings) in 5th-century BC processions, while Xenophon referenced puppet performances in his Symposium.

Shadow theater flourished in China during the Northern Song Dynasty (960-1127), projecting intricate silhouettes onto screens to tell epic tales.

Wayang kulit shadow puppetry in Indonesia, and string puppets in Rajasthan are deeply tied to Hindu epics like the Ramayana and Mahabharata.

In Japan, Bunraku, emerging in the Edo period, combined large, exquisitely crafted puppets with live narration and music.

African puppetry often merged with masked performance in ritual contexts, representing spirits, ancestors, and mythic beings.

In the Americas, Indigenous traditions used puppet-like figures in ceremonies, later blending with European marionette and nativity play traditions brought to the continent by colonists.

By the medieval period, puppetry in Europe was both sacred and secular. Churches used marionettes to depict biblical stories for largely illiterate congregations, while marketplaces hosted comedic and satirical shows. Punch and Judy in England, adapted from Italy's Pulcinella, became a staple of street theater, known for its slapstick humor and subversive wit. Marionette theaters in France, Italy, and Central Europe staged elaborate dramas, often mirroring human theater in miniature. Guignol in 18th- and 19th-century Lyon offered sharp social commentary, frequently slipping political satire past censors.

The 19th century marked a turning point for puppetry in Europe. The art gained academic interest when Charles Magnin published Histoire des Marionnettes en Europe (1852), the first scholarly history of puppetry, framing it as a legitimate art form. During this period, ethnographers recorded scripts and character archetypes, preserving traditions like Poland's szopka and Ukraine's vertep. In France and England, authorities censored or restricted puppet shows, wary of their populist and satirical edge. Guignol performances in Lyon were monitored for revolutionary sentiment.

There are several forms of puppetry, each with distinct characteristics. Marionettes are controlled by strings from above, while rod puppets are manipulated from below or behind with rods, hand puppets are worn over the hand and manipulated directly, shadow puppets are flat figures projected onto a screen with light, finger puppets are small puppets worn on fingers, and object puppetry uses everyday items animated as characters.

Today, puppetry can be found in traditional and avant-garde contexts. Stage productions like War Horse and The Lion King integrate life-sized puppets with live actors, blending engineering with performance. In television and film, Sesame Street and Jim Henson's creations revolutionized educational puppetry, while animatronics and CGI are often merged with traditional techniques. Puppets are also used in classrooms and counseling to help children express emotions, learn social skills, and engage with academic content. Groups like Bread and Puppet Theater utilize giant puppets in demonstrations, continuing the tradition of puppetry as a medium for political dissent. Modern puppeteers sometimes employ sensors and real-time animation to create virtual characters for games, VR, and live-streamed performances.

The magic of puppetry is in its paradox. Audiences know the puppet is not alive, yet they willingly suspend disbelief. This "double vision" allows the art to explore themes too abstract, dangerous, or fantastical for live actors.

Topics related to puppetry are the focus of this part of our web guide.

 

 

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