One of the oldest and most symbolically rich musical instruments, the harp evolved from ancient bow-shaped frames into the sophisticated concert harps of today.
Its story spans millennia, cultures, and meanings. The earliest depictions of harps date back to around 3000 BC in Mesopotamia and Egypt, where bow harps with a few strings were played in temples and courts. The instrument spread to India, China, and Greece, where the trignon, a triangular harp, influenced later European designs. By the Middle Ages, harps were widespread across Europe, where they were particularly popular in Ireland, Scotland, and Wales, where the wire-strung Celtic harp, known as the clàrsach, became a national symbol.
A harp consists of a soundboard, neck, and pillar, which together form its iconic triangular frame. Strings (gut, nylon, or metal) run perpendicular to the soundboard, each producing a single pitch. The modern concert harp (pedal harp) has forty-seven strings and seven pedals, each altering the pitch of all strings of a given note class (C, D, E, etc.) by a semitone. This allows full chromatic playing. Smaller lever harps use hand-operated levers on individual strings to raise the pitch of each string.
The word harp comes from the Old English hearpe, related to the Old Norse harpa and the Old High German harpfa, all meaning "to pluck." In Gaelic tradition, the cruit referred to early wire-strung instruments, later replaced by clàrsach in Scotland and Ireland. A harp player is called a harpist or harper, with harpist more common in classical contexts.
Modern European harps are typically pedal harps, developed in France in the 18th century by Sébastien Érard, who perfected the double-action pedal system, allowing each string to be raised by two semitones. American harps, while also using pedal systems, often emphasize industrial precision and durability, with companies like Lyon & Healy (Chicago) producing harps with slightly different tonal qualities, brighter and more projecting than the warmer, mellower European sound. Folk and Celtic harps remain popular in both regions, but lever harps are more common in North America due to their portability and accessibility for learners.
In Ireland, the harp is a national emblem, appearing on coins, state seals, and even Guinness beer labels. In Christian iconography, King David is often depicted with a harp, symbolizing divine inspiration. The harp has long been associated with heavenly music and the angels, who are often depicted as playing a harp on a cloud. In literature, "harping on" something reflects the instrument's repetitive resonance, showing how deeply it entered language and metaphor.
However, the harp has not become central to popular Western music, perhaps because of its size, expense, complexity, and cultural ties to classical and elevated traditions. Also, in the 19th and 20th centuries, the harp was marketed as a feminine instrument, often depicted with women in white gowns. This narrowed its cultural role and discouraged experimentation in rougher, more masculine-coded genres like rock or blues.
The harp is the largest orchestral instrument, standing about 6 feet tall and weighing nearly 90 pounds. Its musical range spans six and a half octaves, rivaling the piano.
Below, you will find several online resources for information and instructional material relating to the harp. Retail websites selling harps or products relating to the harp may be found in the Musical Instruments category within the Shopping & eCommerce area of our guide.
 
 
Recommended Resources
Alison Vardy operates a small, locally focused music business centered on performance, education, instrument sales and rentals, and event services, monetized through paid bookings, lessons, workshops, harp rentals and sales, and related merchandise and instructional materials. Private harp tuition and workshops covering Celtic and Paraguayan harps are offered, along with other teaching materials. Its primary service area is Southern Coastal British Columbia.
https://www.alisonvardy.com/
The AHS is a non-profit organization that serves harpists and harp enthusiasts by promoting performances, education, research, and appreciation of the harp. Founded in 1962, the Society's stated mission is to celebrate the harp's legacy, inspire excellence, and empower the next generation of harpists. Its membership includes individuals at every level, from students to professionals, in local chapters and national programs. The AHS hosts national conferences in even-numbered years.
https://www.harpsociety.org/
The primary name for this website is Harp Column (HC), which describes its online magazine and informational resource focused on practical news and information for harpists and the harp community. Secondary sections of the site include Harp Column Music (HCM), offering sheet music downloads and an informational blog; and Harp Column Academy, a membership-based online instrucional secton with on-demand video lessons, artist masterclasses, live webcam courses, and guided learning paths.
https://harpcolumn.com/
Known as Cruit Éireann in Irish, Harp Ireland is a collective of harp players working together to promote Ireland's national instrument, gain recognition for its unique status, and secure its sustainability. The organization lists support from bodies such as The Arts Council, The Heritage Council, local authority arts offices and libraries, and RTÉ in event write-ups, indicating a mix of public arts and heritage funding plus partnership support for programs.
https://www.harpireland.ie/
The "Harp Twins" are identical twin harpists, Camille and Kennerly Kitt, who perform as a Nordic Celtic harp duo blending electric and concert grand harps with arrangements of rock, metal, Celtic, soundtrack, and original Nordic-inspired music. Primary revenue streams include live performance bookings for concerts, festivals, comic-cons, and private events, as well as album and e-book sales, merchandise sales through an online store, streaming and digital music sales, and a membership fan club.
https://www.harptwins.com/
Doing business as Harpschool, Harp School, or Harp-School, this is an online harp education platform offering structured video lessons and courses for lever, lap, and pedal harps at all skill levels. It offers subscriptions and course sales, where users access a library of on-demand video lessons, guided learning paths, artist masterclasses, live webcam courses, and one-off purchases of sheet music, gift cards, and other items. The site is credited to Marti Lafond.
https://www.harp-school.com/
This is a niche online music education business focused on teaching harp players at beginner to intermediate levels through structured lessons, resources, and teacher-led instruction. Its business model is based on membership and course sales, combining one-time purchases and recurring subscriptions, direct-to-consumer online education with optional private lessons booked separately, and revenue from digital products such as video lessons, downloadable sheet music, and other resources.
https://www.learningtheharp.com/


