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The kazoo and its smaller cousin, the humazoo, are deceptively simple musical instruments with a rich history, playful cultural role, and even moments of professional use.

The kazoo belongs to the family of mirlitons, membranophones that alter the human voice through vibration.

Its roots trace back to African voice-altering instruments, which used animal skins stretched over tubes for ceremonial and musical purposes.

The kazoo, as we know it, emerged in the United States in the mid-19th century, with the most popular story crediting Alabama Vest, an African-American inventor, in 1840, who collaborated with German-American clockmaker Thaddeus von Clegg to create the prototype.

By the late 19th and 20th centuries, kazoos were being mass-produced, especially in Eden, New York, which became known as the "Kazoo Capital of the World." The smaller Humazoo appeared later as a toy-like variant, marketed for children and casual use.

A kazoo is typically a tube-shaped instrument with a flattened mouthpiece at one end, a small circular opening along its body, covered by a thin vibrating membrane (traditionally goldbeater's skin, now waxed paper or plastic), and a resonating chamber that amplifies the buzzing effect. Kazoos are made of metal, wood, or plastic, with novelty designs ranging from race cars to French horns. The Humazoo is a scaled-down, all-plastic version, often brightly colored and marketed as a noisemaker for children.

Unlike wind instruments, the kazoo is not blown into, but hummed into. The player's voice sets the membrane vibrating, producing the signature buzzing timbre. Techniques include syllabic variation (humming "doo," "too," or "rrrr" to change tone and texture), dynamic control (adjusting volume and pitch through vocal intensity), and articulation tricks (using rhythmic syllables to mimic percussion or brass effects). The Humazoo functions identically, although its smaller size produces a lighter, thinner buzz.

Though often dismissed as a novelty toy, the kazoo has found its way into jazz, blues, jug bands, and even orchestral humor pieces. Notable appearances include early jug bands of the 1920s, where kazoos added rhythmic texture; performances by artists like Jimi Hendrix, who occasionally used the kazoo for playful experimentation; and contemporary professional-grade kazoos with adjustable tone and resonance, used in studio recordings. The Humazoo, by contrast, is rarely used professionally, but it remains a staple in classrooms and children's ensembles.

The kazoo thrives in community events, parades, and fundraisers, where its accessibility and humor shine. Kazoo parades and kazoo bands are popular at festivals, allowing large groups of non-musicians to participate. Fundraising events often distribute kazoos or Humazoos as low-cost, high-energy crowd engagement tools. National Kazoo Day (January 28) celebrates the instrument with concerts, museum exhibits, and playful gatherings.

The beauty of the kazoo is its appeal as an instrument that anyone can play and that everyone can join in. These little instruments have carved out a niche that blends humor, accessibility, and genuine musicality.

E-commerce sites selling kazoos are generally found in the Musical Instruments section of our Shopping & eCommerce area. However, we have included a few retail sites below due to the informational content included on the site or their historical significance.

 

 

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