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The musical saw, also known as the singing saw, is a flexible hand saw played with a bow to produce an ethereal, voice-like tone reminiscent of the theremin.

Its haunting slides and unique timbre have made it a fascinating, albeit niche, musical instrument across folk traditions, vaudeville, and even contemporary classical music.

The musical saw is believed to have originated in the early 19th century in the Appalachian Mountains of the United States, when inventive musicians discovered that bowing a carpenter's saw could produce sustained, eerie tones. Around the same time, similar discoveries were made in Europe, where folk performers experimented with bending and bowing saw blades. Its portability and novelty made it popular in rural communities and traveling shows.

By the early 20th century, the instrument's popularity had spread beyond folk traditions into vaudeville theaters. In 1919, the American company Mussehl & Westphal began producing purpose-built musical saws, designed with thinner steel and longer blades to enhance resonance and playability.

The musical saw reached its heyday in the 1920s and 1930s, particularly in vaudeville acts, where its ghostly sound captivated audiences. Its popularity declined during World War II, when steel was diverted to wartime production and many performers enlisted in the war. However, the instrument experienced revivals in folk festivals, experimental music circles, and film soundtracks throughout the 20th century.

Although it is often associated with folk and novelty acts, the musical saw has appeared in serious classical and contemporary works. Examples include George Crumb's Ancient Voices of Children, which uses the saw for its otherworldly timbre, and John Corigliano's The Mannheim Rocket, featuring saw passages for dramatic effect. Works by Lera Auerbach, including her Piano Concerto and Nyx - Fractured Dreams, where the saw adds a surreal sonic layer. The musical saw has also been used in opera excerpts, jazz arrangements, and film scores, demonstrating its versatility.

Musicians known for their work with the musical saw include Natalia Paruz (Saw Lady), David Coulter, and Homer Ledford. Historical figures, such as Marlene Dietrich, occasionally performed on the saw, adding glamour to its vaudeville act.

While unconventional, the musical saw remains a testament to the ingenuity of turning everyday objects into vehicles of musical expression.

We have included some online resources for additional information and instruction on the musical saw below. E-commerce sites offering instruments for sale may be found in our Musical Instruments category.

 

 

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