Aviva Directory » Arts & Literature » Music » Styles & Genres » Instrumental

Instrumental music is defined as compositions without sung lyrics, relying solely on instruments to convey meaning.

It emphasizes timbre, rhythm, harmony, and dynamics, and has historically served ceremonial, entertainment, and artistic purposes.

Instrumental music refers to compositions without vocal elements, where instruments alone carry the melody, harmony, and rhythm. While pure instrumentals exclude voice entirely, borderline cases, which may include minimal vocalizations, such as chants, spoken words, or sound effects, are often considered instrumentals if the voice does not dominate.

The characteristics of instrumental music include the absence of lyrics, with meaning conveyed through sound alone, with a focus on timbre and dynamics, in which the instruments create emotional depth. Instrumentals span genres, from classical symphonies to jazz improvisations and electronic soundscapes.

Ancient civilizations used flutes, drums, and lyres in rituals and storytelling, while instrumental dances and court music were common in Medieval and Renaissance times. During the Baroque and Classical eras, symphonies, concertos, and chamber works emphasized instrumental virtuosity. Instrumentals were also used in the 20th and 21st centuries in jazz improvisation, film scores, and popular instrumental singles, including rock instrumentals.

Today, instrumentals thrive in film and television scores (Hans Zimmer, John Williams), electronic genres (ambient, lo-fi, EDM), and background music for study, work, and relaxation. Streaming platforms highlight the enduring popularity of instrumental tracks.

Several instrumentals have reached Number One on the Billboard Hot 100, including The Happy Organ by Dave "Baby" Cortez (USA) in 1959, Sleep Walk by Santo & Johnny (USA) in 1959, A Summer Place theme by Percy Faith (USA) in 1960, Wonderland by Night by Bert Kaempfert (USA) in 1961, Calcutta by Lawrence Welk (USA) in 1961, Stranger on the Shore by Mr. Acker Bilk (USA, UK artist) in 1962, The Stripper by David Rose (USA) in 1962, Telstar by The Tornados (USA, UK band) in 1962, Grazing in the Grass by Hugh Masekela (USA, South Africa) in 1968, Love is Blue by Paul Mauriat (USA, France) in 1968, Frankenstein by Edgar Winter Group (USA) in 1973, The Sound of Philadelphia by MFSB (USA) in 1974, Pick Up the Pieces by Average White Band (USA, Scotland) in 1975, Fly, Robin, Fly by Silver Convention (USA, Germany) in 1975, A Fifth of Beethoven by Walter Murphy (USA) in 1976, Gonna Fly Now theme from Rocky by Bill Conti (USA) in 1977, Star Wars theme by Meco (USA) in 1977, Rise by Herb Alpert (USA) in 1979, Chariots of Fire by Vangelis (USA, Greece) in 1982, Miami Vice theme by Jan Hammer (USA, Czech-born) in 1985, Rockit by Herbie Hancock (USA) in 1983 (charted globally but not #1 in the US), Axel F by Harold Faltermeyer (UK, Germany) in 1985, Harlem Shake by Baauer (USA) in 2013, and Love's Theme by Love Unlimited Orchestra (USA) in 1974.

While rare on pop charts, instrumentals are a unique art form, bridging cultures, eras, and genres. Its ability to evoke emotion without words makes it uniquely powerful.

 

 

Recommended Resources


Search for Instrumental on Google or Bing