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Sometimes spelled rag-time or rag time, ragtime music is a syncopated piano-driven style that flourished in the United States from the 1890s to the 1910s, profoundly shaping jazz and American popular music.

Ragtime is defined by its syncopated (ragged) rhythms set against a steady, march-like bass line. Typically composed for the piano, ragtime pieces are lively, jaunty, and formally structured, often in multi-strain forms (AABBACCDD) similar to marches. In ragtime piano playing, typically the left hand maintains a steady beat while the right hand plays syncopated melodies, creating tension and swing.

Ragtime emerged in African-American communities of the Midwest and South in the 1890s. Its influences included cakewalk dances, minstrel shows, banjo styles, and European classical forms. Ragtime was first published in sheet music form in the mid-1890s and quickly spread nationwide.

Ragtime's heyday was from 1899 to 1917, when it dominated American popular music. Scott Joplin's Maple Leaf Rag (1899) became the genre's most iconic piece, selling millions of copies. Ragtime boosted piano sales and the recording industry, becoming a cultural phenomenon. However, by the 1920s, ragtime gave way to stride piano and jazz, although its influence remained strong.

Ragtime experienced revivals in the 1940s and 1950s, led by scholars and performers like Rudi Blesh and Eubie Blake. A major resurgence occurred in the 1970s, sparked by the film The Sting (1973), which featured Joplin's The Entertainer. Today, ragtime festivals and societies keep the tradition alive, celebrating its role as a precursor to jazz.

Ragtime reflected both African American creativity and the racial stereotypes of its era, such as cakewalk imagery. It bridged folk traditions and formal composition, symbolizing the cultural blending of post-Reconstruction America. Ragtime's syncopation challenged European musical norms, paving the way for jazz and blues.

The characteristics and musical form of ragtime include its syncopation, off-beat accents against a steady bass. Its form is multi-strain, often four sections, each 16 measures. The piano is the primary instrument used in ragtime, but it has also been adapted for bands and orchestras. The mood is lively, playful, yet often sophisticated in harmony and structure.

Related forms include stride piano, novelty piano, jazz, honky-tonk, and boogie-woogie, which helped to carry ragtime's rhythm into later popular music.

Influential ragtime composers and performers include Scott Joplin, James Scott, Joseph Lamb, Tom Turpin, Eubie Blake, Jelly Roll Morton, Irving Berlin, Ben Harney, Ernest Hogan, Louis Chauvin, Artie Matthews, Arthur Marshall, James Reese Europe, Tony Jackson, Mike Bernard, Zez Confrey, Blind Jake, William Bolcom, Winifred Atwell, John Arpin, Jo Ann Castle, Dick Hyman, Johnny Maddox, Sue Keller, and William Albright.

Ragtime was a turning point in American music. Its syncopated rhythms reshaped American music, laying the groundwork for jazz and modern popular styles.

 

 

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